They are transparent-sounding and quite clean over most of their range, although they do get a bit noisier in their highest 6 dB or so of their gain range. The Class A XMAX preamps sound quite good for board preamps and offer up to 60dB of gain. The board itself is equipped with 16 main inputs - 8 mic / line inputs on balanced combination XLR / 1/4” TRS jacks and 8 that are mic-only XLR inputs. Weight is also kept down in part by the shape of the board, and the angled surface also makes it easier to see everything when you’re sitting in front of it. The construction is mostly metal, with some plastic.
the StudioLive 32SC packs a ton of mixing features into a relatively small and lightweight package.
#Studiolive 32sc manual series#
The StudioLive 32SC Series III is a 32 channel 32-bit floating point processor-equipped rack-mountable digital console with 40 mix channels and 26 mix busses that is powered by a dual-core FLEX DSP engine that provides a whopping 286 simultaneous processors. And I’m really glad I did, because this is a really cool system. While I’ve owned a few of their products over the years, the one thing I had limited previous experience with was their line of StudioLive mixing consoles, so when I was offered an opportunity to borrow and test out one of the latest third-generation boards, I jumped at the chance. Currently celebrating their 24th year in business, this Louisiana-based company has released a wide range of products over the last quarter century - everything from mic preamps and outboard processors to computer audio interfaces, nearfield monitors, and even their own Studio One DAW.
#Studiolive 32sc manual pro#
PreSonus is a name that should by now be familiar to just about everyone who works in pro audio. A powerful mixer for stage and studio that can grow with your needs
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